Monday, November 29, 2010

Soul Essay

At work, my boss always requires us to write a personal essay every semester. This isn't surprising since I work at the Writing Center. However, I have always felt more comfortable writing research papers, so this has been a new experience for me.

We call these essays "Soul Essays" because they can be a little difficult to write (or really difficult), and you have to put your soul into it. I've decided to share one of my essays for criticism because like I've said, I'm new at creative non-fiction.

Since this is a first draft, I know that I need to practice the attributes that I have been preaching. Writing a personal essay is always a work in progress.

The Lesson:


Before reading this essay, know that it was about twice as long in it's first draft. I had included about two more pages about the details of that night. When I took it into my boss, she edited it and suggested that I cut out the first two pages. That hurt.

An essay is like a baby to the writer. Cutting out parts is hard and painful. However, in the end, the cutting will be good for your essay and make it more readable.

It was my choice, and I decided to cut the first two pages. It was a good choice. I removed clutter, and now my essay is much clear.

How We can apply this to our own writing:

  • Revise
  • Don't be afraid to make revisions and cut parts of your essay
  • Have an objective audience read over your paper and tell you what isn't working


Your Best Friend

I got to the big metal doors of the choir room that were wide open, hopefully providing some ventilation for the two hundred plus students on the warm September night. Inside a flurry of activity was going on before the choir concert was supposed to start. Melissa and Sara sat in front of the ceiling high mirrors that were intended for dancers. I didn’t join them. Melissa and Sara had been best friends since middle school and anything I could add to their conversation would just be awkward. They pasted makeup on their faces, so that they could be seen from the back of the audience and to hopefully complement their white blouses with three-inch-high shoulder pads with matching black balloon pants. Those outfits were hideous, and I was glad I had graduated out of them a year ago when I had been accepted into the A Capella choir. I hated those mirrors. There was something about the combination of the fluorescent lighting and the mirrors that made my face look washed out and pasty. My reflection in that room was enough to make my self-confidence drop by ten percent.

I pushed my way past a few clumps of people to the old, rickety risers that had probably stood there since Mrs. Stuart started teaching in the seventies. My friend Daniel was sitting on the top most risers. The different levels groaned in protest with every step up that I took. I sat down beside him and began adjusting the buckles of my black stage shoes.

I felt comfortable talking to Daniel. I was afraid of joining some of the other members of the choir because they might find me boring or weird. I didn’t ever have anything important or witty to say to them, so I always felt unwelcome. By being completely passive towards people, I never annoyed anyone, and no one seemed to dislike me. Daniel was different. We had known each other for years since our siblings had made friends in choir. Once we reached high school and where finally attending the same school, we quickly became really good friends. At the beginning of high school, he was about my height (that quickly changed), and I think I was one of the few girls that didn’t intimidate him. We sat next to each other in seminary and rebelled against our strict teacher that had tried to enforce a seating chart. He always wanted to sit next to me. One time at a church dance, a game was played where the girls had to throw one of their shoes in a pile, and the guys were supposed to take a shoe and dance with whatever girl it belonged to. I had thrown my brown and pink checkered Vans into the pile. Daniel was the one who picked out my shoe even though he was supposed to randomly select a shoe. Daniel was the first boy I held hands with – at a choir competition while we were waiting for some other choir to perform. At the end of the year, Daniel signed my yearbook “your best friend.”

This year, Daniel and I were still really close though we had started hanging out with different people. He seemed to fit in perfectly with those other people in choir that made me feel so unwelcome. I became more attached to my fellow students in my English and history classes because we did so many class projects together. Daniel was still my best friend, so it was sad that we were spending less time together, and he seemed to be enjoying himself so much.

That evening at the concert, I was relieved to find Daniel sitting by himself apart from all of his new friends. As I sat next to him, he greeted me and asked how things were going. My buckles were always so difficult to tighten because the elastic part of the strap was beginning to loosen. I exchanged the usual greetings and noticed Daniel had a disinterested look on his face as his eyes began to wonder longingly to Alyssa and Katy as they sat laughing and talking with some of his other friends. In attempt to get his attention back, I began telling him a story about how my little sister had gotten mad at me and had thrown all my clothes out the window. Half way through the story, he interrupted me. “You known sometimes you tell stories and no one really knows or cares what you’re talking about.”

The room suddenly began to feel very stuffy and hot, and all the sound seemed blocked out. I had a similar sensation to the time that I had become lightheaded in the 3rd grade when I had used a straw to blow through to paint a picture. I felt very alone. Through my embarrassment, I quickly went back to buckling my shoe. I think I may have heard myself mumbling an apology and excuse to Daniel. He went to join the other group a few risers down.

Sometimes when I talk to people, I carefully make sure that my talking is something that they want to hear. If I see that disinterested look, I quickly refrain from speaking. When I go back home and see Daniel, our visits are boring because we have nothing to say.

Notebooks

Joan Didion wrote an essay titles "On Keeping a Notebook." I couldn't find a really great link for this essay, so I would recommend googling the essay title and Joan Didion's name to find the essay. Obviously, the essay is written about Joan Didion's views on keeping a notebook.

Keeping a notebook is very important for a writer. My friend Matt used to keep a small notebook on him at all times. Sometimes you would be talking to him and he would pull out his notebook and start writing in it. To tell you the truth, this always made me a bit nervous just in case he was writing about how stupid I was. This probably wasn't the case, and he probably can remember a lot more than I can from situations.

The Lesson:

A notebook will help you jot down things that you might want to remember. Sometimes when I write essays, I struggle to remember details. Memories over time become blurry, and I think that a notebook might keep a writer from forgetting important details.

Now notice how I have refrained from calling this notebook a diary or journal. I don't think it is necessary to chronicle your day. I think it could be useful to record just notes though. I think that a notebook is a great asset for writing.

How to apply this into our own writing:

  • Keep a notebook.
  • Don't procrastinate writing something down
  • Be discreet; Don't make people nervous while your writing
  • Keep your notebook close by: in your purse, backpack, pocket

No Taking Pictures

J.D. Riso writes an essay called "No Taking Pictures." In this essay Riso describes her experiences in a black market alley with her sister and friends. She is affected by the cruelty of the alley but can't do anything. She laughs off the experience, so she doesn't seem like a sissy even though she is close to throwing up.

The Lesson:

Riso paints a picture in her essay. There were a few times that I felt queasy, so I maybe wouldn't recommend the essay for those that have super sensitive stomachs. However, You are there with Riso as she explores the essay. She gets down to the nitty-gritty details, and feel sick to your stomach as she is about to vomit.

Take a look at this passage from the essay:

"There is a systemic rhythm to his work. He reaches into the aquarium, lays the turtle on the chopping block, brings the butcher knife down in one swift movement, drains the turtle’s blood into a glass, and then tosses the remains on a pile of writhing carcasses. The fat little legs rotate like windup toys running out of steam."

Through these details we feel as though we are seeing the turtle die with the author. Riso's feelings are translated into detail and we are shown how to feel in this essay. Later we see the contrast when Riso laughs because that is the exact opposite of what you feel like doing after this essay.

Riso creates an emotional tie with her audience through the use of her details and dialogue. Her dialogue makes the audience feel as though they can hear the conversations. Her details makes her audience see and smell the alley. Riso uses her writing to her advantage, and we can see her conflict with laughing the situation off.

How to apply this into our own writing:


  • Show your audience with the details, don't just tell them how to feel
  • concentrate on important details that you remember
  • include sensory details including smell, sight, touch, taste, and sound

The Birth of Cool

The “Birth of Cool” by Aiasha Sabitini Sloan describes her experiences growing up as a mixed race child in Los Angeles. At the same time she describes the life of musician Thelonius Sphere Monk.


This essay is different than the other essays in that Sloan chose to write about many experiences in her life as well as the experience of another. Choosing too many experiences can be dangerous because there is a risk of your theme becoming clouded. Sloan avoided this by keeping a tight theme and consistencies.


The Lesson:


Sloan picks times in her life that tie together because of the way that they made her feel. Racism makes her feel out of place such as when her classmate tells her he doesn’t like her curly hair,“

"'Why is your hair like that?' Every day for the next four years I wore it in a tight bun. Some might call me oversensitive." Wearing her hair in a bun shows the hurt she does feel from racism which ties into the theme of achieving "cool" throughout the essay.


She also ties Thelonius Monk into her story by tying in her opening scene of Los Angles glinting, and Monk glinting as he plays the piano. Monk was born before the Civil Rights Movement and has managed to achieve that “cool” that everyone is trying to achieve despite his race.


Sloan does a fine job keeping her essay flowing and relevant. Essays that jump from memory to memory need to follow the example that Sloan provides.


How we can apply this in our own writing:


  • tie all anecdotes into a common theme.
  • focus on details that show that theme.
  • Cut any distracting details or anecdotes.
  • make sure one major theme is apparent.
  • Ask yourself the question, "So what does this essay mean?"

Oh Be Wise, Revise

You have known about this final paper due for your class since the beginning of the semester. You planned to start it weeks ago. You procrastinated. Now it’s three hours before the paper is due, and you’re on your computer furiously typing. Does this situation sound familiar?


Maybe you're a way ahead of the game and always have your papers done weeks in advance, but probability makes me think otherwise. The problem of procrastination starts in school and haunts writers everywhere. All students of writing have at one point thought as long as their rough draft wasn’t the worst of the many first drafts that are turned in, the grade should be fine. Let’s face it, most of us have or will procrastinate writing at some point.


On the front desk of where I work, my bosses business cards say, “Oh Be Wise, Revise.” Papers that are not first drafts have a much greater chance of getting better marks. You can edit your paper for the content and the spelling and grammar mistakes.


The Lesson:


Teachers everywhere will be much happier if papers revised. Besides, think how nice it will be to not have to get a paper back where you have misspelled the author’s name of the poem you are analyzing. So read over your paper. Have your roommate, lover, family, and friends read over your paper. Try to make the time to revise.


How to Apply This to our own Writing:


  • Start one day earlier on your writing
  • Swallow your pride and have someone else read your paper
  • Read over your own paper out loud
  • Take a break and come back to your paper
  • Don't be afraid to cut out parts of your paper

Friday, November 5, 2010

Montage


While looking for an example of a montage essay, I came across this one by Sunny Woan.

In this essay, she describes two different experiences of when she travels to Beijing to visit her Grandfather's house. Her Beijing is very different than the one portrayed in the media.

This essay is important to look at because it shows what a montage essay should do. A montage essay is a steam of different events in the writers life. Writers sometimes get in trouble trying to add too many experiences in their essays. Sometimes the main idea of their essay becomes clouded.

The key to creating a successful montage essay is focus. Woan does this because her two different experiences are relevant to the main point she is trying to describe. When writing a montage essay, the writer must ask themselves what the main point is and if the experiences describe that point.


Thursday, November 4, 2010

On Going Home

"Sometimes I think that those of us who are now in our thirties were born into the last generation to carry the burden of “home,” to find in family life the source of all tension and drama."

I told you that Joan Didion was going to come back up. Out of her many fabulous essays, I have chosen to write about "On Going Home."

In this essay, Didion describes her sentiments that she feels as an adult with a daughter when she goes home. Didion seeks to define home as it has now changed for her.

I love this essay because I feel as adults, many of us are striving to define what home actually is. I'm a junior in college and home has changed for me a lot over the past few years. My parents have moved from my hometown and my siblings are all growing up. Sometimes I wonder what home really is. Is it a place or is it a state of being. If it's a state of being, I don't think I have been there in a long time.

Joan Didion's essay is wonderful because I feel that I can really relate. I think many people feel that they have lost what home really is.

Why I Write

Many others have chosen to write a piece explaining why they write. Joan Didion and George Orwell just to name a couple. One of favorite "Why I Write" pieces is by Terry Tempest Williams.

I this essay, Williams mentions all the reasons that she could want to write. I love the repetitiveness of this essay. I think it works and is beautiful.

I also love the contradictions that this essay has. She says that, "I write because I believe in words. Later she goes on the say, "I write knowing that words will always fall short." This contradiction is so true with writing. Writers write exposing vulnerability.

My challenge to all writers of creative non-fiction is to find out why you write.

Joan Didion


When I am asked who admire most, I have a new answer. I used to not know and just give the answer of Walt Disney. I have discovered in past years that Walt Disney isn't as amazing as I once thought. My new answer is Joan Didion.

When I grow up, I would love to be this lady. She is known as the master of the personal essay. Since she is so great, I have decided to dedicate this post to her.

Didion was born in 1934. She got her first job writing for Vogue. She has also written for The New York Times, The Saturday Evening Post, and Life.

Most importantly, she has writing a personal essay down perfectly. In her essay "Why I Write," she said, "I write entirely to find our what I'm thinking, what I'm looking at, what I see and what it means. What I want and what I fear."

Didion is right. A personal essay is completely for yourself. No one can tell you what your essay is about. A personal essay is about discovery and answers. I will definitely be visiting some of Didion's essays in future posts.


Wednesday, November 3, 2010

Leap


Okay. So the next essay I chose is Brian Doyle's "Leap." I think that this may be one of my favorite creative non-fiction essays.

This essay while rather short, also achieves power. How does an author do this? Well whatever Brian did, Brian does well considering he has been published several times. What lessons can less advanced writers take from Mr. Doyle?

The of the biggest things that I noticed that Brian Doyle did was pick a topic that is close to his target audience. As the editor of the Portland Magazine of the University of Portland, his audience tends to be college students attending school in America.

Brian Doyle chose a topic that would be close to his audience. He chose September 11, a date that most of his audience would all remember pretty clearly. His audience probably remembers some of the effects of this date as well.

Sad as it may be, however, September 11 seems to be fading into a history book much like the date of Pearl Harbor has. Brain Doyle manages to engage his audience anyway. First he uses specific details like the pink mist. This detail makes readers a little sick to the stomach as this essay should. He also chooses to portray simple love that his audience can relate to. The holding hands couple seems to reach through the essay and pull in the audience through their innocent act of love.

Brian Doyle's essay is simple and yet powerfully effects those that read his work.